In man, breathing is incessantly going on—one breath only serving for two or three pulsations; so that whatever other business he has to attend to, waking or sleeping, breathe he must, or die he will. But the Sperm Whale only breathes about one seventh or Sunday of his time.

It has been said that the whale only breathes through his spout-hole; if it could truthfully be added that his spouts are mixed with water, then I opine we should be furnished with the reason why his sense of smell seems obliterated in him; for the only thing about him that at all answers to his nose is that identical spout-hole; and being so clogged with two elements, it could not be expected to have the power of smelling. But owing to the mystery of the spout—whether it be water or whether it be vapor—no absolute certainty can as yet be arrived at on this head. Sure it is, nevertheless, that the Sperm Whale has no proper olfactories. But what does he want of them? No roses, no violets, no Cologne-water in the sea.

Furthermore, as his windpipe solely opens into the tube of his spouting canal, and as that long canal—like the grand Erie Canal—is furnished with a sort of locks (that open and shut) for the downward retention of air or the upward exclusion of water, water therefore the whale has no voice; unless you insult him by saying, that when he so strangely rumbles, he talks through his nose. But then again, what has the whale to say? Seldom have I known any profound being that had anything to say to this world, unless forced to stammer out something by way of getting a living. Oh! happy that the world is such an excellent listener!

Now, the spouting canal of the Sperm Whale, chiefly intended as it is for the conveyance of air, and for several feet laid along, horizontally, just beneath the upper surface of his head, and a little to one side; this curious canal is very much like a gas-pipe laid down in a city on one side of a street. But the question returns whether this gas-pipe is also a water-pipe; in other words, whether the spout of the Sperm Whale is the mere vapor of the exhaled breath, or whether that exhaled breath is mixed with water taken in at the mouth, and discharged through the spiracle. It is certain that the mouth indirectly communicates with the spouting canal; but it cannot be proved that this is for the purpose of discharging water through the spiracle. Because the greatest necessity for so doing would seem to be, when in feeding he accidentally takes in water. But the Sperm Whale’s food is far beneath the surface, and there he cannot spout even if he would. Besides, if you regard him very closely, and time him with your watch, you will find that when unmolested, there is an undeviating rhyme between the periods of his jets and the ordinary periods of respiration.

But why pester one with all this reasoning on the subject? Speak out! You have seen him spout; then declare what the spout is; can you not tell water from air? My dear sir, in this world it is not so easy to settle these plain things. I have ever found your plain things the knottiest of all. And as for this whale spout, you might almost stand in it, and yet be undecided as to what it is precisely.

The poor fellow really felt sad when—melancholy reminiscence of his youth!—he donned his costume, adorned with vari-coloured wings, and fastened to his natural feature a false nose six feet long. But he cheered up when he thought that this nose was winning him something to eat.

He went upon the stage, and took his place beside the rest who were to compose the base of the Car of Juggernaut. They all stretched themselves on the floor, their noses pointing to the ceiling. A second group of artists disposed themselves on these long appendages, then a third above these, then a fourth, until a human monument reaching to the very cornices of the theatre soon arose on top of the noses. This elicited loud applause, in the midst of which the orchestra was just striking up a deafening air, when the pyramid tottered, the balance was lost, one of the lower noses vanished from the pyramid, and the human monument was shattered like a castle built of cards!

It was Passepartout’s fault. Abandoning his position, clearing the footlights without the aid of his wings, and, clambering up to the right-hand gallery, he fell at the feet of one of the spectators, crying, “Ah, my master! my master!”

“You here?”

“Myself.”

“Very well; then let us go to the steamer, young man!”

Mr. Fogg, Aouda, and Passepartout passed through the lobby of the theatre to the outside, where they encountered the Honourable Mr. Batulcar, furious with rage. He demanded damages for the “breakage” of the pyramid; and Phileas Fogg appeased him by giving him a handful of banknotes.

At half-past six, the very hour of departure, Mr. Fogg and Aouda, followed by Passepartout, who in his hurry had retained his wings, and nose six feet long, stepped upon the American steamer.

What happened when the pilot-boat came in sight of Shanghai will be easily guessed. The signals made by the Tankadere had been seen by the captain of the Yokohama steamer, who, espying the flag at half-mast, had directed his course towards the little craft. Phileas Fogg, after paying the stipulated price of his passage to John Busby, and rewarding that worthy with the additional sum of five hundred and fifty pounds, ascended the steamer with Aouda and Fix; and they started at once for Nagasaki and Yokohama.

They reached their destination on the morning of the 14th of November. Phileas Fogg lost no time in going on board the Carnatic, where he learned, to Aouda’s great delight—and perhaps to his own, though he betrayed no emotion—that Passepartout, a Frenchman, had really arrived on her the day before.

The San Francisco steamer was announced to leave that very evening, and it became necessary to find Passepartout, if possible, without delay. Mr. Fogg applied in vain to the French and English consuls, and, after wandering through the streets a long time, began to despair of finding his missing servant. Chance, or perhaps a kind of presentiment, at last led him into the Honourable Mr. Batulcar’s theatre. He certainly would not have recognised Passepartout in the eccentric mountebank’s costume; but the latter, lying on his back, perceived his master in the gallery. He could not help starting, which so changed the position of his nose as to bring the “pyramid” pell-mell upon the stage.